Evan Christopher Arnold

I first saw the magic that is Evan Christopher Arnold in the ensemble of NTPA’s Jesus Christ Superstar. Evan was such an impressive dancer and vocalist that I returned to see him a second time. There was something about his lithe and limber dance moves that was captivating. He is able to tell a story with his body movement and to watch him execute the choreography was thrilling. He’s got that magnetism that draws your attention and keeps it. Off stage, Evan is an intelligent, charismatic, and dedicated young man who is constantly improving his craft. Take a few minutes to read about this DFW star on rise.

When was your first time on stage?

I vividly remember being in the fifth grade and internally bouncing off the walls when I learned that I could take a theatre class in middle school. There was a ball of energy manifested in my body that still fuels me. It felt like the beginning of the rest of my life. This was the moment I discovered a special interest that I felt truly passionate about, and I couldn’t wait to dive in. That summer, my mom enrolled me in a week-long acting workshop, and from there, I was hooked. It was my first introduction to the world of memorizing monologues and working collaboratively with other kids... I loved every single minute of it. I’ve grown up so much since then but I still protect my inner child devoutly. However, the first proper theatrical experience that stands out in my memory was my middle school’s production of Annie Jr. I played a servant, which, while it wasn’t Daddy Warbucks, felt like the most lucrative moment of my twelve years of life. During this production, I had my first real taste of what it meant to be in an ensemble. I’ll never forget how geeked I was to learn a jazz square... so small but so very thrilling. I guess you could always say that I’ve been a dancer first.

When did you know you wanted to be an actor?

To be completely honest, I can’t even pinpoint when it precisely happened. When I was a kid, I remember having a phase where I was freakishly into Jim Henson and The Muppets. I knew subconsciously I had to work with neat people like that and haven’t looked back since! I’ve always been drawn to larger-than-life personalities in the media I consume... maybe even obsessed. Being an actor lets me be the cartoon character I’ve always dreamed of being. When I’m onstage, there’s a feeling of freeness that washes over me that I have yet to find anywhere else. It is pure liberation. The combination of adrenaline and nerves always reminds me that I am where I am supposed to be. I can confidently say that I’m living the life destined for me.

Who is your greatest mentor?

During my first two years of college, I had an incredible voice teacher named Christopher Rodriguez. His impact on my understanding of singing was incomparable. He is one of the most effective instructors that I’ve ever encountered. To say that he taught me how to sing is an understatement; he also guided me in developing an appreciation for the nuances of the voice. I felt comfortable in both his classroom and his studio, which unquestionably contributed to my growth as a performer. Mr. Rodriguez was not only an insightful educator, but an exceptional vocalist as well. I’m sure that his other students feel the same way. My mom is also instrumental in both my career and personal life. She enables (and funds) every ounce of my ambition and I know that she will always be seated for everything that I do. I love her so much.

What role have you enjoyed most in your career?

Thus far, my favorite role has been being part of the ensemble in Fiddler on the Roof at UNT. This experience stands out as a top highlight in my career. I vividly recall seeing the national tour of Fiddler twice during my sophomore year of high school; it was among the most captivating theatre pieces I have ever witnessed. To eventually perform this show felt like a truly full-circle moment for me. Working with Emily Ernst was one of the most significant highlights. Emily is not only a remarkable director but also an exceptional colleague. I would jump at the opportunity to collaborate with her again. The Anatevka she brought to life was nothing short of magical, and I felt profoundly honored to be part of such a beautifully realized vision. The entire company was fully invested in honoring the rich history of the music and text. It felt like everybody contributed their personal lore, insight, and passion to the production, making the love and dedication both on and off the stage palpable. This show allowed me to forge lifelong friendships and work with some of the most extraordinary actors, designers, and technicians I’ve ever encountered. Nothing in my career thus far compares to the intensity of the bottle dance. The stakes were incredibly high, and it made for one of the most exhilarating moments of my life. I remember the pressure I felt to keep the bottle balanced on my top hat—it still keeps me up at night. It was an unparalleled experience that fills me with immense pride.

Our production’s portrayal of diverse cultural elements and its vibrancy made every performance feel like a rebirth. Five performances felt far too few. I still have all of my blocking and choreography ingrained in my memory. If UNT ever decides to remount the show, I would be thrilled to step back into Anatevka and relive these incredible memories.

Do you have a dream role?

Just one? That’s a tough call! When I was in the seventh grade, my mom took me to my first Broadway show, CATS. I remember being so captivated by Rum Tum Tugger. I’m not sure when or how, but I know that I’m going to play him one day. Mark my words! I would also love to be a part of anything in the August Wilson canon. Other roles that come to mind include Seymour in Little Shop of Horrors, Anthony in Sweeney Todd, Curly or Will in Oklahoma, and Monty in A Gentleman’s Guide to Love and Murder. The magnum opus of my dream roles is Billy in Carousel, but let's save that for when I’m much older.

What person(s) would you like to be on stage with?

Audra McDonald, Ethan Hawke, Kelli O’Hara, and Denzel Washington all come to mind. I met Ethan Hawke this summer and I’m still shocked that I managed to not pass out and die. My personal mood board of performers consists of Beyoncé and Gene Kelly. That probably sounds like a wild combination at first glance, but there is some interesting overlap between them. I admire their unwavering ambition and strive for excellence more than anything; even more so when I consider their remarkable achievements. Whenever I’m in rehearsal, I am very intentional about pushing myself to the degree that they would... it usually pays off! If the stars were perfectly aligned, I think the three of us could have made some crazy magic onstage together.

What performances have you seen that impressed you?

I’m very fortunate to be in a community of incredible actors and theatre professionals. A great show is always at arm’s length. Via Rubio, Isreyale Harmon and Luka Gurgenidze astound me every day; I have the most gifted friends in the world. But specifically... GENE KELLY! I’ll never forget the first time I watched “Singin’ in the Rain. “It’s the perfect culmination of slapstick, music and dance; I undoubtedly feel like the movie was made with me in mind... 72 years ago. Gene dances like an athlete, yet he’s so graceful and fluid that it almost seems effortless. Music seems to pour out of him and lends itself to his dancing. To watch him perform is to watch someone fulfill their God-given destiny. His legacy is one of unparalleled excellence, and he will always be a personal idol of mine. I’ve seen the majority of his films, but his devotion to each project remains the same.

What are your career goals?

I always have a tough time answering this question because this industry can be so unpredictable, but I want to be a full-time entertainer! While I’m still in college, I’ve set a personal goal of doing five shows per year. I’ve realized that the opportunities that I find to be daunting are always the most fulfilling. After I finish my undergraduate degree, I intend to move to the East Coast and complete a theatrical MFA program. My selfish wish is to draft my own contracts and fill in zeros on my checks. Ultimately, my goal is to build a career that allows me to perform and provides me with the creative agency and flexibility to make the industry a better and safer place for future entertainers. For now, I’m just happy to be here.

What would people be surprised to learn about you?

It’s not smart to talk about Animal Crossing around me. I can name every villager, every tree, every fish, every flower... it is very serious to me. The amount of hours I’ve invested into the franchise should be investigated. I don’t play about Animal Crossing... at all.